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10 Women of Title Design

At Art of the Title we strive to represent content that is interesting, exciting, and varied. To us, that means content that is inclusive of many genres, genders, and geographies. We recognize that many industries are dominated by men, and we are determined to both acknowledge this bias and work towards more balanced representation.

To celebrate International Women’s Day, we’ve compiled a list of 10 women in title design that you should know about.

10 Women of Title Design That You Should Know

Nina Saxon

Nina Saxon is an award-winning title designer and art director of feature film and television title sequences.

After graduating from UCLA’s Motion Picture and Television program in 1975, Saxon began her career as a commercial motion graphics artist and as a special effects animator in feature films, most notably on the original Star Wars trilogy.

In 1981, Saxon founded Nina Saxon Design and over the next several decades produced title cards and sequences for some of Hollywood’s most successful and critically acclaimed films, including Romancing the Stone. Back to the Future. Beauty and the Beast. The Fugitive . Forrest Gump . The Craft . Contact . The Departed. and Salt. Saxon has also worked extensively on the small screen, including the title sequences for Picket Fences. Wings. Early Edition. and Gilmore Girls.

She has taught courses on title design at UCLA, Chapman University and the Otis College of Art and Design.

Back to the Future (1985)

Back to the Future (1985) — main titles by Nina Saxon

Tick, tock. When people think of Back to the Future. they often think of a few key things: Deloreans, Huey Lewis and the News, and hoverboards. But few remember how quietly and thoughtfully this franchise begins. The opening title sequence combines two things: one of the most iconic movie logotypes of all time, and a graceful type-over-scene. It is, in effect, a tour of time, a gallery of chronometric technology. As we glide past grandiose pendulum clocks, complex timekeepers, and kitsch cuckoos, we wonder: when are we? The radio chimes in and sets us firmly within the machinery of 1985. As Marty enters the scene and goes about his business, his bumbling, playful character gets a jump-start and we are thrown alongside into one of the most charming comedies of our age.

Pamela B. Green

Pamela B. Green is a co-founder, producer, and creative director at PIC Agency. Originally from New York, Green co-founded PIC, an entertainment and motion design boutique based in Los Angeles in 2005. She has produced more than 100 feature film title sequences and marketing campaigns for films like The Kingdom . The Bourne Ultimatum. The Illusionist. Twilight. Fantastic Four. Sex and the City. She has creative directed and produced TV show packages, as well as on-screen sequences for the Academy Awards, Billboard Awards, Critics’ Choice Awards, and MTV awards. Green was also co-producer on the 2010 documentary Bhutto. which was nominated for an Emmy.

In , Green began working on Be Natural: The Untold Story of Alice Guy-Blaché . a feature-length documentary about the first female film director.

PIC Agency's title sequence for Drew Goddard's horror film The Cabin in the Woods runs the gamut from practical effects involving delicious liquids, to CG, to a hard slam of typography. The scene begins with a recreation of millennia of human cruelty billowing out into a quiet void: torture, murder, ritual sacrifice, untold suffering, fresh coffee. Wait a minute.

Sally Cruikshank

Sally Cruikshank is an American cartoonist and animator whose work includes the 1975 short film Quasi at the Quackadero . 1978’s Make Me Psychic . and 1987’s Face Like a Frog . featuring music by Danny Elfman. She has created the opening title sequences to films Ruthless People. Mannequin. Loverboy . Madhouse. and Smiley Face (below). From 1989 to 1999, she animated and produced animated segments and music videos for children’s television show Sesame Street .

In 2009, her film Quasi at the Quackadero was inducted into the United States National Film Registry. and in October , several 35mm prints of Cruikshank's work were screened at the Museum of Modern Art in New York.

Cruikshank's title sequence for Gregg Araki's stoner comedy Smiley Face is an opening like no other. The sequence is a no-holds-barred trip, a cannonball leap into psychedelia, vibrant and pulsing and a foreshadowing of the film's plot. The animated forms have a child-like energy, loose and endearing, and the backgrounds vibrate with colour, beaming the most saturated hues directly into your retinas. The Chemical Brothers' Star Guitar is the perfect accompaniment, steady and driving, a force of liberating rhythm. And in a stroke of genius, the film's title doesn't appear at all. Who needs words when a smiley will do?

Miki Kato

Miki Kato is a title designer and co-founder of design and live-action studio Momoco. Originally from Japan, Kato attended the California Institute of the Arts, where she earned an MFA in graphic design. After working for a few multimedia companies, she moved to London, England to set up her own studio called Momoco with Nic Benns in 1999. Since then, she has played a key role in art direction across commercials, interactive projects, and film sequences. She has directed title sequences for television shows including Misfits. Fresh Meat. and Wolfblood. Film titles she has worked on include Love Actually. One Day. Hard Candy. and Salmon Fishing in the Yemen .

In 2009, Kato was nominated for a BAFTA for her work on Misfits and, in , she won a Primetime Emmy Award for Momoco's work on Great Expectations .

Источники: http://www.woman.ru/WomanTV/tv-shows/articles/tag/shou-uralskih-pelmeney/, http://www.nur.kz/213310.html, http://www.artofthetitle.com/feature/10-women-of-title-design/